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All of which makes me think that for writers, careers and canons won’t be established in traditional ways. Literary works—and careers—might function the same way that memes do today on the web, spreading like wildfire for a short period, often unsigned and un-authored, only to be supplanted by the next ripple. While the author won’t die, we might begin to view authorship in a more conceptual way: perhaps the best authors of the future will be ones who can write the best programs with which to manipulate, parse and distribute language-based practices.Proudly Fraudulent: An Interview With MoMA’s First Poet Laureate, Kenneth Goldsmith | The Awl
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